Se anun\u0163\u0103 sus\u0163inerea public\u0103 a tezei de doctor (Specialitatea – 651.01. Teoria \u015fi istoria artelor plastice <\/b>) a dnei Iar\u00eena Savi\u0163chi-Baraghin \u201eEvolu\u0163ia gravurii \u00een Moldova\u201d, conduc\u0103tor \u015ftiin\u0163ific \u2013 dr.habilitat \u00een studiul artelor-Tudor Stavil\u0103. Sus\u0163inerea va avea loc \u00een biroul 408 a Academiei de \u015etiin\u0163e a Moldovei (bd. \u015etefan cel Mare 1) la\u00a0 10 noiembrie 2014, \u00eencep\u00e2nd cu orele 10.<\/p>\n
Publica\u0163iile \u015ftiin\u0163ifice<\/b> ale autoarei la tema tezei: \u00cen: Savi\u0163kaia Ia., The art of engraving in medieval Moldavia and Artistic Education. In: Review of artistic education<\/strong> <\/b>no. 1-2,<\/strong> <\/b>Iasi, ARTES, 2011, pag.37-45 ; Savi\u0163chi Ia., Gravura Moldovei medievale \u00een contextul artei europene.Studiu iconografic.\u00a0 \u00cen:\u00a0 Arta, Chi\u015fin\u0103u, Princeps, 2011, p.48-53; Savi\u0163chi Ia., Gravura basarabean\u0103. De la \u015eilingovschi la Ceglocoff.\u00a0 \u00cen: Arta, Chi\u015fin\u0103u,\u00a0 Princeps, 2012, p.127 \u2013 136; Savi\u0163kaia-Baraghin Ia., Gravura Medieval\u0103 \u00een Termeni \u015fi Tehnici. \u00cen: Dimensiuni ale educa\u0163iei artistice, Vol.8, Mediere social-educa\u0163ional\u0103 prin arte, Ia\u015fi,\u00a0 Editura ARTES , 2012, pag.113-122; Savi\u0163kaia-Baraghin Ia., Gravura contemporan\u0103 \u015fi perceperea artistic\u0103\u00a0 \u00cen: Dimensiuni ale educa\u0163iei artistice, Vol.9, Cercet\u0103ri comparative \u015fi studii \u00een politicile Europene privind educa\u0163ia artistic\u0103 \u015fi intercultural\u0103, Ia\u015fi, ARTES , 2013, pag.149-158\u00a0 ; Savi\u0163kaia-Baraghin Ia. Bessarabian engravers in interwar Romania.\u00a0 , In: Review <\/strong>of artistic education<\/strong> <\/b>no. 5-6,<\/strong> Iasi, ARTES, 2013,, pag.79-90<\/p>\n Adnotarea lucr\u0103rii<\/b> Structura tezei: <\/b>introducere, partu capitole, concluzii generale \u015fi recomand\u0103ri, <\/b>bibliografie din 189 de titluri \u015fi 2 anexe, integrate \u00een 247 de pagini.Textul tezei include \u015fi imagini referitoare la tema abordat\u0103.Rezultatele ob\u0163inute sunt publicate \u00een \u015fase lucr\u0103ri \u015ftiin\u0163ifice.<\/p>\n Cuvinte-cheie: <\/i><\/b>art\u0103 grafic\u0103, gravur\u0103, xilogravur\u0103, tipograf, tehnici ale gravurii, acvaforte, acvatinta, mezzotinta, linogravur\u0103, gravur\u0103 pe carton, pointe seche (ac sec).<\/p>\n Domeniul de studiu:<\/b> studiul artelor moderne \u015fi contemporane.<\/p>\n Scopul \u015fi obiectivele tezei <\/b>se refer\u0103 la acumularea unor cuno\u015ftin\u0163e aprofundate ale cercet\u0103rii gravurii na\u0163ionale, iar obiectivele <\/b>au fost determinate de: stabilirea caracteristicelor artistice \u015fi tehnice ale gravurii; studierea premiselor istorice \u015fi artistice ale apari\u0163iei gravurii; cercetarea arhivelor \u015fi a colec\u0163iilor muzeale din Chi\u015fin\u0103u \u015fi Bucure\u015fti \u015fi depistarea etapelor de baz\u0103 ale evolu\u0163iei gravurii na\u0163ionale \u015fi a interferen\u0163elor regionale, \u00een paralel cu particularit\u0103\u0163ile gravurii europene.<\/p>\n Noutatea \u015fi originalitatea \u015ftiin\u0163ific\u0103<\/b> a tezei se motiveaz\u0103 prin discursul specializat \u015fi cadrul temporal, care urm\u0103re\u015fte consecvent evolu\u0163ia \u015fi dezvoltarea gravurii pe teritoriul actual al Republicii Moldova, \u00eencep\u00e2nd cu perioada medieval\u0103, urmat\u0103 de cea modern\u0103 \u015fi contemporan\u0103 \u015fi interferen\u0163ele gravurii autohtone cu ambian\u0163a european\u0103 \u015fi ale artei din mediul limitrof, fiind puse \u00een circuitul \u015ftiin\u0163ific nume \u015fi opere ale unor personalit\u0103\u0163i marcante din domeniul gravurii, cum ar fi Gr.Fiurer,M. Gavrilov,V. Rusu-Ciobanu,T. Baillayre, Gh. Ivancenco \u015f.a.<\/p>\n Importan\u0163a teoretic\u0103 <\/b>a cercet\u0103rii<\/b> efectuate se rezum\u0103 la stabilirea unor repere ini\u0163iale, care va facilita \u015fi va completa integral nu doar imaginea concret\u0103 a evolu\u0163iei gravurii \u00een mediul artei na\u0163ionale, dar \u015fi posibilitatea de a urm\u0103ri etapele constituirii, interferen\u0163ele ei cu\u00a0 arta din regiunile \u00eenvecinate, influen\u0163ele pe care le-a suportat, fiind generalizate particularit\u0103\u0163ile comune \u015fi specifice.<\/p>\n Problema \u015ftiin\u0163ific\u0103 solu\u0163ionat\u0103<\/b> se refer\u0103 nemijlocit la cercetarea istoriei \u015fi evolu\u0163iei gravurii ca gen al artelor plastice din secolele XVIII-XX. Acest fapt ne-a permis s\u0103 examin\u0103m gravura Moldovei medievale, moderne \u015fi contemporane prin prisma unei analize comparative, elucid\u00e2nd lacunele existente \u015fi pun\u00e2nd \u00een circuitul valorilor artistice opere \u015fi autori autohtoni, urm\u0103rind, totodat\u0103, \u00eenceputurile apari\u0163iei gravurii na\u0163ionale, dar \u015fi influen\u0163ele pe care le-a \u00eenregistrat pe durata secolelor.<\/p>\n Valoarea aplicativ\u0103 <\/b>a cercet\u0103rii efectuate s-a rezumat la identificarea etapelor evolu\u0163iei gravurii \u00een artele plastice medievale, moderne \u015fi contemporane din Moldova, oferind speciali\u015ftilor un valoros reper despre cele trei etape ale dezvolt\u0103rii ei, extinz\u00e2nd arealul cunoa\u015fterii acestui gen \u00een Republica Moldova \u015fi posibilitatea de a fi introdus\u0103 \u00een procesul didactic \u015fi artistic din institu\u0163iile de \u00eenv\u0103\u0163\u0103m\u00e2nt de profil, rezultatele fiind reflectate \u00een 7 comunic\u0103ri la conferin\u0163e na\u0163ionale \u015fi interna\u0163ionale din Republica Moldova \u015fi Rom\u00e2nia.<\/p>\n","protected":false},"excerpt":{"rendered":" Se anun\u0163\u0103 sus\u0163inerea public\u0103 a tezei de doctor (Specialitatea – 651.01. Teoria \u015fi istoria artelor plastice ) a dnei Iar\u00eena Savi\u0163chi-Baraghin \u201eEvolu\u0163ia gravurii \u00een Moldova\u201d,Read More<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/1257"}],"collection":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1257"}],"version-history":[{"count":1,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/1257\/revisions"}],"predecessor-version":[{"id":1258,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/1257\/revisions\/1258"}],"wp:attachment":[{"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIar\u00eena Savi\u0163chi-Baraghin \u201eEvolu\u0163ia gravurii \u00een Moldova\u201d, tez\u0103 de doctor \u00een studiul artelor, Chi\u015fin\u0103u, 2014<\/p>\n