{"id":2784,"date":"2017-09-11T10:34:58","date_gmt":"2017-09-11T06:34:58","guid":{"rendered":"http:\/\/ich.md\/?p=2784"},"modified":"2017-09-11T10:35:41","modified_gmt":"2017-09-11T06:35:41","slug":"se-anunta-sustinerea-tezei-de-doctor-cu-tema-mijloace-transcendentale-de-expresivitate-actoriceasca-in-teatrul-european-in-a-doua-jumatate-a-secolului-xx","status":"publish","type":"post","link":"https:\/\/ich.md\/?p=2784","title":{"rendered":"Se anun\u0163\u0103 sus\u0163inerea tezei de doctor cu tema: Mijloace transcendentale de expresivitate actoriceasc\u0103 \u00een teatrul european \u00een a doua jum\u0103tate a secolului XX"},"content":{"rendered":"

\u00a0Pretendent:<\/strong> Catereva Irina<\/p>\n

Conduc\u0103tor \/consultant \u015ftiin\u0163ific:<\/strong> Ro\u015fca Angelina, doctor \u00een studiul artelor, profesor universitar<\/p>\n

Consiliul \u015ftiin\u0163ific specializat:<\/strong> D 22.654.01-03 din cadrul Institutului Patrimoniului Cultural al Academiei de \u0218tiin\u021be a Moldovei<\/p>\n

Tema tezei:<\/strong> Mijloace transcendentale de expresivitate actoriceasc\u0103 \u00een teatrul european \u00een a doua jum\u0103tate a secolului XX<\/p>\n

Specialitatea: <\/strong>654.01- Arta teatral\u0103\/coregrafic\u0103<\/p>\n

Data: 12.09.2017<\/p>\n

Ora:<\/strong> \u00a0\u00a011.00<\/p>\n

Local:<\/strong>\u00a0\u00a0 Chi\u0219in\u0103u, bd. \u0218tefan cel Mare \u0219i Sf\u00e2nt, nr.1, etajul 2, Sala Mic\u0103<\/p>\n

Principalele publica\u0163ii \u015ftiin\u0163ifice la tema tezei ale autorului (se indic\u0103 monografiile, articolele \u015ftiin\u0163ifice \u00een reviste \u015ftiin\u0163ifice de profil)<\/p>\n

    \n
  1. \u041a\u0430\u0442\u0435\u0440\u0435\u0432\u0430 \u0418. \u041f\u0438\u0442\u0435\u0440 \u0411\u0440\u0443\u043a, \u0415\u0436\u0438 \u0413\u0440\u043e\u0442\u043e\u0432\u0441\u043a\u0438\u0439: \u0432\u043e\u0437\u0432\u0440\u0430\u0449\u0435\u043d\u0438\u0435 \u043a \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438. \u00cen: Art\u0103 \u0219i educa\u021bie artistic\u0103. Revist\u0103 de cultur\u0103, \u0219tiin\u021b\u0103 \u0219i practic\u0103 educa\u021bional\u0103. B\u0103l\u021bi, 2007, nr. 3 (6),\u00a0\u00a0\u00a0 66 – 71. ISSN 1857-0445.<\/li>\n
  2. Catereva I. Mijloace transcendentale de expresivitate actoriceasc\u0103 \u00een teatrul european din a doua jum\u0103tate a secolului al XX-lea (Unele aspecte teoretice ale problemei). \u00cen: Art\u0103 \u0219i educa\u021bie artistic\u0103. Revist\u0103 de cultur\u0103, \u0219tiin\u021b\u0103 \u0219i practic\u0103 educa\u021bional\u0103. B\u0103l\u021bi, 2010, nr. 1 \u2013 2 (14 – 15), p. 41 – 49. ISSN 1857-0445.<\/li>\n
  3. Catereva I. Expresivitatea supraindividual\u0103 a actorului. \u00cen: Anuar \u0219tiin\u021bific: muzic\u0103, teatru, arte plastice. Chi\u0219in\u0103u: Grafema Libris, 2013, nr. 1 (18), p. 79 – 83. ISSN 1857-2251 ISBN 978-9975-9886-3-6.<\/li>\n
  4. Catereva I.Teatrul spiritual al lui Peter Brook \u0219i Jerzy Grotowski. \u00cen: Anuar \u0219tiin\u021bific: studiul artelor \u0219i culturologie: istorie, teorie, practic\u0103. Chi\u0219in\u0103u: Grafema Libris, 2014, nr. 2 (22), p. 115 – 119. ISSN\u00a0 2345-1408.<\/li>\n
  5. Catereva I. Actorul ca energie vizibil\u0103. \u00cen: Anuar \u0219tiin\u021bific: studiul artelor \u0219i culturologie: istorie, teorie, practic\u0103. Chi\u0219in\u0103u: Grafema Libris, 2014, nr. 2 (22), p. 129 – 132. ISSN 2345-1408.<\/li>\n
  6. Catereva I. \u041c\u0430\u0442\u0435\u0440\u0438\u044f \u0437\u0432\u0443\u043a\u0430. \u00cen: Annuar \u0219tiin\u021bific: studiul artelor \u0219i culturologie: istorie, teorie, practica. Chi\u0219in\u0103u: Notograf Prim, 2015, nr. 3 (26), p. 103 – 108. ISSN 2345-1408.<\/li>\n
  7. \u041a\u0430\u0442\u0435\u0440\u0435\u0432\u0430 \u0418. \u0415\u0436\u0438 \u0413\u0440\u043e\u0442\u043e\u0432\u0441\u043a\u0438\u0439 \u0432 \u043f\u043e\u0438\u0441\u043a\u0435 \u0442\u0440\u0430\u043d\u0441\u0446\u0435\u043d\u0434\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0441\u0440\u0435\u0434\u0441\u0442\u0432 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \u0430\u043a\u0442\u0435\u0440\u0430. \u0412: \u041d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430. \u0412\u0438\u0442\u0435\u0431\u0441\u043a, 2011, \u2116 4 (4),\u00a0 \u0441. 16 – 23.\u00a0 ISSN\u00a0 2222 \u2013 8853\u00a0 \u0423\u0414\u041a 792 075(438).<\/li>\n
  8. \u041a\u0430\u0442\u0435\u0440\u0435\u0432\u0430 \u0418. \u0414\u0443\u0445\u043e\u0432\u043d\u044b\u0439 \u0442\u0435\u0430\u0442\u0440 \u041f\u0438\u0442\u0435\u0440\u0430 \u0411\u0440\u0443\u043a\u0430. \u0412: \u041d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430. \u0412\u0438\u0442\u0435\u0431\u0441\u043a, 2014, \u2116 1 (13), \u0441. 29 – 34.\u00a0 ISSN 2222 \u2013 8853.<\/li>\n
  9. \u041a\u0430\u0442\u0435\u0440\u0435\u0432\u0430 \u0418. \u0422\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u0430\u044f \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u0410\u043d\u0434\u0440\u0435\u044f \u0428\u0435\u0440\u0431\u0430\u043d. \u00cen: Anuar \u0219tiin\u021bific: muzic\u0103, teatru, arte plastice. (\u00cen baza materialelor conferin\u021bei \u0219tiin\u021bifice interna\u021bionale \u00cenv\u0103\u021b\u0103m\u00e2nt artistic \u2013 dimensiuni culturale din 10.04.2009). Chi\u0219in\u0103u: Notograf Prim, 2009, nr. 1 \u2013 2 (8 – 9), \u0441. 124 – 129. ISSN 1857-2251.<\/li>\n<\/ol>\n

    Rezumatul tezei<\/strong><\/p>\n

      \n
    1. Problematica abordat\u0103 (4-5 r\u00e2nduri de text)<\/li>\n<\/ol>\n

      Eliminarea contradic\u021biilor dintre importan\u021ba \u0219i relevan\u021ba practicii utiliz\u0103rii mijloacelor transcendentale de expresivitate actoriceasc\u0103 \u0219i lipsa at\u00e2t a analizei \u0219tiin\u021bifice ale acestui fenomen, c\u00e2t \u0219i a aparatului conceptual elaborate, care ar reflecta esen\u021ba acestora.<\/p>\n

        \n
      1. Con\u0163inutul de baz\u0103 al tezei (6-8 r\u00e2nduri de text)<\/li>\n<\/ol>\n

        Mijloacele transcendentale de expresivitate\u00a0 actoriceasc\u0103 ca parte component\u0103 a artei teatrale moderme, dup\u0103 p\u0103rerea autorului, prezint\u0103 un fenomen unical \u00een arta teatral\u0103 european\u0103 din a doua jum\u0103tate a sec. XX. Nu este o descoperire recent\u0103, este restituirea gestului, mi\u0219c\u0103rii sau cuv\u00e2ntului actorului a oportunit\u0103\u021bilor uitate: exprimarea lumii interioare a personalit\u0103\u021bii, efectul cathartic.\u00a0 C\u0103utarea expresivit\u0103\u021bii transcendentale actorice\u0219ti ca limbaj de comunicare cu orice spectator, indiferent de apartenen\u021ba etnic\u0103 \u0219i lingvistic\u0103 a acestuia, viza intercalarea diverselor forme \u0219i tehnici actorice\u0219ti tradi\u021bionale ale teatrelor orientale \u0219i occidentale.<\/p>\n

          \n
        1. Principalele rezultate ob\u0163inute (8-10 r\u00e2nduri de text)\u201d<\/li>\n<\/ol>\n
            \n
          1. Punerea \u00een circuitul termenilor teatrologici a \u201emijloacelor transcendentale de expresivitate actoriceasc\u0103\u201d, care reprezint\u0103 o expresivitate verbal\u0103 \u0219i corporal\u0103 a actorului-om, fiind rezultatul impulsurilor l\u0103untrice ale acestuia, destinat\u0103 cre\u0103rii chipului arhetipic, perceput deopotriv\u0103 de orice spectator la nivelul subcon\u0219tientului.<\/li>\n
          2. Eviden\u021bierea ac\u021biunii fizice \u2013 elementul de baz\u0103 al expresivit\u0103\u021bii corporale a actorului-om, menit s\u0103 descopere chipul arhetipic. Ca rezultat al impulsurilor l\u0103untrice, transformate \u00een gesturi sau mi\u0219c\u0103ri tactile, cap\u0103t\u0103 con\u021binut no\u021bional al simbolului obiectiv, arhetipic, av\u00e2nd putere \u0219i semnifica\u021bie ce pot fi sesizate mutual.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

            \u00a0Pretendent: Catereva Irina Conduc\u0103tor \/consultant \u015ftiin\u0163ific: Ro\u015fca Angelina, doctor \u00een studiul artelor, profesor universitar Consiliul \u015ftiin\u0163ific specializat: D 22.654.01-03 din cadrul Institutului Patrimoniului Cultural alRead More<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/2784"}],"collection":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2784"}],"version-history":[{"count":3,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/2784\/revisions"}],"predecessor-version":[{"id":2787,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/2784\/revisions\/2787"}],"wp:attachment":[{"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}