{"id":8800,"date":"2025-11-15T19:01:38","date_gmt":"2025-11-15T17:01:38","guid":{"rendered":"https:\/\/ich.md\/?p=8800"},"modified":"2025-11-15T19:05:29","modified_gmt":"2025-11-15T17:05:29","slug":"masa-rotunda-omagiala-stefan-neagaredescoperirea-unui-patrimoniu-muzical-cenzurat-si-uitat","status":"publish","type":"post","link":"https:\/\/ich.md\/?p=8800","title":{"rendered":"Masa rotund\u0103 omagial\u0103 \u201e\u0218tefan Neaga, mo\u0219tenirea muzical\u0103 a Basarabiei: 125 de la na\u0219tere\u201d"},"content":{"rendered":"\n<p>\u00cen ziua de 13 noiembrie 2025, Sec\u021bia Patrimoniu Artistic a Institutului Patrimoniului Cultural a organizat Masa rotund\u0103 omagial\u0103 cu genericul<em>&nbsp;\u0218tefan Neaga, mo\u0219tenirea muzical\u0103 a Basarabiei: 125 ani de la na\u0219tere<\/em>. Prilejuit\u0103 de obiectivele Programului na\u021bional \u00een domeniile cercet\u0103rii \u0219i inov\u0103rii pentru anii 2024-2027, manifestarea \u0219tiin\u021bific\u0103 a \u00eentrunit aportul unei serii de speciali\u0219ti din cadrul Institutului \u0219i din afara lui.<\/p>\n\n\n\n<p>Miza principal\u0103 a consf\u0103tuirii academice la tem\u0103 a vizat elucidarea \u0219i punerea \u00een valoare euristic\u0103 a unor aspecte noi, \u00eenc\u0103 pu\u021bin studiate \u0219i reflectate \u00een epoc\u0103, deseori distorsionate sau cenzurate \u00een istoriografia sovietic\u0103, privind via\u021ba \u0219i activitatea, rolul, importan\u021ba \u0219i semnifica\u021bia mo\u0219tenirii artistice \u0219i culturale a compozitorului, pianistului, dirijorului \u0219i profesorului \u0218tefan Neaga (1900-1951) \u00een contextul civiliza\u021biei europene interbelice rom\u00e2ne\u0219ti \u0219i al celei sovietice staliniste postbelice din secolul al XX-lea.<\/p>\n\n\n\n<p>Lucr\u0103rile Mesei rotunde au fost precedate de un cuv\u00e2nt de salut, edificare \u0219i sus\u021binere din partea dlui dr. Ion Ursu, director al Institutului Patrimoniului Cultural.<\/p>\n\n\n\n<p>Programul propriu-zis a debutat cu comunicarea <em>Stefan Neaga \u00een peisajul muzicii na\u021bionale din prima jum\u0103tate a secolului XX<\/em>, prezentat\u0103 de dr. hab. Victor Ghila\u0219, \u00een care se argumenteaz\u0103 necesitatea metodologic\u0103 a delimit\u0103rii analizei traseului de crea\u021bie a protagonistului \u00een trei perioade istorico-estetice, cruciale \u00een devenirea personalit\u0103\u021bii sale artistice: perioada interbelic\u0103 rom\u00e2neasc\u0103 (1920-1940), perioada marcat\u0103 de r\u0103zboi \u0219i stalinismul timpuriu (1940-1948), perioada stalinismului tardiv \u0219i festivismului jubiliar sovietic moldovenesc (1949-1951). S-a apreciat, c\u0103 aplicarea unei noi optici \u00een abordarea vie\u021bii \u0219i activit\u0103\u021bii lui \u0218tefan Neaga ar putea contribui la crearea unei noi viziuni privind rolul \u0219i locul s\u0103u \u00een patrimoniul muzicii na\u021bionale. &nbsp;<\/p>\n\n\n\n<p>\u00cen comunicarea <em>Crea\u021bia \u0219i activitatea compozitorului \u0218tefan Neaga \u00een percep\u021bia contemporanilor<\/em>, dr. Vasile Chiseli\u021b\u0103 s-a focusat pe elucidarea modului \u00een care a fost oglindit\u0103 figura creatoare \u0219i personalitatea artistului \u00een presa \u0219i unele publica\u021bii speciale postbelice, subliniindu-se tendin\u021ba inocul\u0103rii \u00een con\u0219tiin\u021ba public\u0103 a imaginii deseori trunchiate, epurate \u0219i \u201eredactate\u201d a autorului, \u00een consens cu agenda propagandistic\u0103 a culturii sovietice strategice \u0219i cu valorile civiliza\u021biei sovietice. S-a eviden\u021biat, de asemenea, precaritatea \u0219i insuficien\u021ba materialelor muzicale \u00eenregistrate la tem\u0103 \u00een fondurile IPNA Compania \u201eTeleradio-Moldova\u201d, precum \u0219i lipsa percutant\u0103 a unei edi\u021bii tip\u0103rite a operei <em>omnia<\/em>&nbsp;a compozitorului.<\/p>\n\n\n\n<p>Acad. Gheorghe Mustea, profesor la AMTAP, prim-dirijor \u0219i director artistic al Orchestrei Simfonice a IPNA Compania \u201eTeleradio-Moldova\u201d a prezentat o interesant\u0103 \u0219i captivant\u0103 expunere omagial\u0103, \u00een care a eviden\u021biat rolul, importan\u021ba \u0219i semnifica\u021bia lui \u0218tefan Neaga ca \u0219i deschiz\u0103tor de drumuri, continuator \u0219i inovator al \u0219colii na\u021bionale de compozi\u021bie, reprezentant de vaz\u0103 al culturii na\u021bionale, mo\u0219tenitor al unei bogate \u0219i variate tradi\u021bii creatoare, care a l\u0103sat posterit\u0103\u021bii un amplu \u0219i plurivalent patrimoniu muzical. \u00cen premier\u0103 absolut\u0103, drept argument al unicit\u0103\u021bii \u0219i probit\u0103\u021bii crea\u021biei lui \u0218tefan Neaga, a fost prezentat\u0103 spre audiere Schi\u021ba simfonic\u0103<em>&nbsp;Februarie cu brum\u0103 \u0219i z\u0103pad\u0103, <\/em>pe care raportorul a descoperit-o \u00een arhive \u0219i a \u00eenregistrat-o cu Orchestra simfonic\u0103, complet\u00e2nd astfel lista celor peste 50 de lucr\u0103ri de diferite genuri ale autorului, stocate \u00een fondurile Companiei \u201eTeleradio-Moldova\u201d.<\/p>\n\n\n\n<p>\u00cen discursul dnei Anastasia Moldovanu, director al Bibliotecii de Arte \u201eTudor Arghezi\u201d din Chi\u0219in\u0103u s-a pus accentul pe integritatea deficitar\u0103 a fondului de c\u0103r\u021bi despre compozitorul \u0218tefan Neaga, lipsa sensibil\u0103 de materiale audio \u0219i discografice la tem\u0103, menite a veni \u00een sprijinul educa\u021biei estetice a tineretului contemporan. \u00cen acest context, s-a eviden\u021biat \u0219i prezen\u021ba unor informa\u021bii contradictorii, discutabile \u0219i interpretabile despre personalitatea compozitorului, manifeste mai ales \u00een paginile presei din epoca sovietic\u0103, ceea ce creeaz\u0103 deseori derut\u0103 \u0219i nesiguran\u021b\u0103 \u00een domeniul gestion\u0103rii \u0219i disemin\u0103rii informa\u021biilor culturale prin intermediul bibliotecilor de profil.<\/p>\n\n\n\n<p>O revela\u021bie cvasi absolut\u0103 a constituit comunicarea dlui dr. Ion Duminic\u0103 \u00eentitulat\u0103 <em>Activitatea \u0219i crea\u021bia muzical\u0103 a compozitorului \u0218tefan Neaga reliefat\u0103 \u00een publica\u021biile periodice rom\u00e2ne\u0219ti \u00een prima jum\u0103tate a secolului XX<\/em>. Axat\u0103 pe analiza \u0219i sistematizarea informa\u021biilor inedite \u0219i \u00eenc\u0103 nevalorificate, ap\u0103rute \u00een presa rom\u00e2neasc\u0103 din anii 1920-1940, prezentarea autorului a adus \u00een aten\u021bia speciali\u0219tilor date \u0219i informa\u021bii extrem de interesante, pertinente \u0219i edificatoare, apte a remedia numeroasele bre\u0219e \u00een cunoa\u0219terea vie\u021bii, studiilor de specialitate, form\u0103rii profesionale, activit\u0103\u021bii componistice \u0219i concertistice, colabor\u0103rii cu personalit\u0103\u021bile \u0219i colectivele muzicale, lans\u0103rii publice a celor mai importante crea\u021bii ale lui \u0218tefan Neaga \u00een epoca emblematic\u0103 a interbelicului.<\/p>\n\n\n\n<p>La finalul manifest\u0103rii a fost prezentat spre vizionare filmul documentar <em>\u0218tefan Neaga<\/em>, produs \u00een anul 1969, \u00een regia lui Andrei Buruian\u0103, operator Valeriu Ciurea, a c\u0103rui proiec\u021bie a devenit posibil\u0103 gra\u021bie contribu\u021biei organizatorice a dlui dr. Dum. Ol\u0103rescu.<\/p>\n\n\n\n<p>Programat\u0103 a se desf\u0103\u0219ura pe parcursul a unei ore \u0219i jum\u0103tate, Masa rotund\u0103 consacrat\u0103 reputatului artist, compozitor, pianist, dirijor \u0219i profesor \u0218tefan Neaga a captat aten\u021bia activ\u0103 a participan\u021bilor de-a lungul a peste trei ore. Atmosfera profund colocvial\u0103 \u0219i tonul general antrenant al discu\u021biilor au fost sus\u021binute de implicarea dialogal\u0103 a colegilor, printre care Violeta Tipa, Victoria Rocaciuc, Ana Ghila\u0219, Valeria Barbas, Tudor St\u0103vil\u0103 \u0219.a.<\/p>\n\n\n\n<p>Vasile Chiseli\u021b\u0103, 14.11.2025.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-30-2.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-30-2-1024x682.jpg\" alt=\"\" class=\"wp-image-8801\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-29-2.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-29-2-1024x682.jpg\" alt=\"\" class=\"wp-image-8802\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/chisalita.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/chisalita-1024x682.jpg\" alt=\"\" class=\"wp-image-8803\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-29-3.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-29-3-1024x682.jpg\" alt=\"\" class=\"wp-image-8804\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-30.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2025\/11\/photo_2025-11-15_18-22-30-1024x682.jpg\" alt=\"\" class=\"wp-image-8805\"\/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen ziua de 13 noiembrie 2025, Sec\u021bia Patrimoniu Artistic a Institutului Patrimoniului Cultural a organizat Masa rotund\u0103 omagial\u0103 cu genericul&nbsp;\u0218tefan Neaga, mo\u0219tenirea muzical\u0103 a Basarabiei:<span class=\"read-more-link\"><a class=\"read-more\" href=\"https:\/\/ich.md\/?p=8800\">Read More<\/a><\/span><\/p>\n","protected":false},"author":11,"featured_media":8809,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/8800"}],"collection":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8800"}],"version-history":[{"count":4,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/8800\/revisions"}],"predecessor-version":[{"id":8811,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/8800\/revisions\/8811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/media\/8809"}],"wp:attachment":[{"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}