{"id":8952,"date":"2026-03-02T07:56:22","date_gmt":"2026-03-02T05:56:22","guid":{"rendered":"https:\/\/ich.md\/?p=8952"},"modified":"2026-03-02T07:59:38","modified_gmt":"2026-03-02T05:59:38","slug":"revista-arta-seria-arte-vizuale-arte-plastice-si-arhitectura-vol-xxxiv-nr-1-2025-contributii-de-specialitate","status":"publish","type":"post","link":"https:\/\/ich.md\/?p=8952","title":{"rendered":"Revista \u201eARTA\u201d. Seria Arte Vizuale, Arte Plastice \u0219i Arhitectur\u0103 (vol. XXXIV, nr. 1, 2025): contribu\u021bii de specialitate"},"content":{"rendered":"\n<p>Recent a v\u0103zut lumina tiparului un nou num\u0103r al prestigioasei reviste <strong>\u201eARTA\u201d<\/strong>, Seria <em>Arte Vizuale, Arte Plastice, Arhitectur\u0103<\/em> (vol. XXXIV, nr. 1, 2025), structurat \u00een mai multe compartimente tematice: <strong>Arta Medieval\u0103, Modern\u0103 \u0219i Contemporan\u0103; Istoria \u0219tiin\u021bei. Studii interdisciplinare; Noi apari\u021bii editoriale; Anivers\u0103ri, Expozi\u021bii; In Memoriam<\/strong>. Num\u0103rul reune\u0219te un spectru larg de studii realizate de cercet\u0103tori din Republica Moldova, Ucraina (Kiev, Odesa, Lviv), Polonia (Cracovia), Fran\u021ba (Paris) \u0219i Germania (Essen).<\/p>\n\n\n\n<p>Publica\u021bia cuprinde <strong>37 de articole<\/strong>, redactate \u00een <strong>trei limbi \u2013 rom\u00e2n\u0103, rus\u0103 \u0219i englez\u0103<\/strong>, \u00eensum\u00e2nd <strong>311 pagini<\/strong>, \u0219i ofer\u0103 o imagine ampl\u0103 asupra cercet\u0103rilor actuale din domeniul artelor vizuale \u0219i arhitecturii.<\/p>\n\n\n\n<p>Registrul tematic al studiilor este unul extins, autorii propun\u00e2nd analize aprofundate ale unor fenomene artistice din domeniul arhitecturii, iconografiei decorului arhitectural, graficii, sculpturii \u0219i picturii. Sunt investigate contexte istorice distincte ale dezvolt\u0103rii artelor vizuale \u0219i reflectarea acestora \u00een cronicile epocii, este eviden\u021biat rolul institu\u021biilor publice (arhive, muzee etc.) \u00een formarea gustului artistic al publicului, precum \u0219i contribu\u021bia unor personalit\u0103\u021bi marcante la dezvoltarea \u00eenv\u0103\u021b\u0103m\u00e2ntului artistic (\u0218neer Kogan, Ion Daghi \u0219.a.).<\/p>\n\n\n\n<p>Un loc aparte \u00eel ocup\u0103 <strong>compartimentul arhitectur\u0103<\/strong>, reprezentat prin doisprezece studii care acoper\u0103 perioadele medieval\u0103 (Alla Ceastina, Vitalie Ia\u021biuc, Nadejda Ursu, Aurelia Trifan, Sergius Ciocanu), modern\u0103 (Alla Ceastina, Aurelia Carpov, Aurelia Trifan, Yuri Pismak, Olena Polevshchykova \u2013 Odesa, Halyna Ivashkiv \u2013 Lviv), interbelic\u0103 (Mariana \u0218lapac, Alla Ceastina, Sergius Ciocanu, Aurelia Trifan \u0219.a.) \u0219i contemporan\u0103 (Oksana Bieliavska, Volodymyr Yarovyi \u2013 Odesa, Wojciech Adam \u015awi\u0119ch \u2013 Cracovia, Olga Zhovkva \u2013 Kiev). Abord\u0103rile sunt realizate din perspective istorice, legislative, biografice \u0219i decorative, contur\u00e2nd o viziune complex\u0103 asupra evolu\u021biei arhitecturii.<\/p>\n\n\n\n<p>Domeniul <strong>graficii<\/strong> este reprezentat de studiile semnate de Lucia Adascali\u021bei, Maria Grabovscaia \u0219i Viktor Filas (Zaporizhzhia, Edmonton), care pun \u00een valoare crea\u021bia graficienilor \u0219i aspecte specifice precum ex-librisul artistic (\u201e<em>Genius loci<\/em> \u00een ex-librisul moldovenesc\u201d \u2013 Maria Grabovscaia), grafica satiric\u0103 (\u201eGrafica satiric\u0103 \u00een crea\u021bia plasticianului Ilia Bogdesco\u201d \u2013 Lucia Adascali\u021bei) \u0219i gravura (\u201eOrizonturile maritime ale Chiliei: ora\u0219ul \u0219i perspectivele sale \u00een gravura Kilianova a lui Nikolaus Kleemann\u201d \u2013 Viktor Filas).<\/p>\n\n\n\n<p>Compartimentul dedicat <strong>artei contemporane<\/strong> cuprinde studii din domeniul artelor plastice \u0219i vizuale (Vitalie Malcoci, Victoria Rocaciuc, Ana Marian, Dorina Chicu), reflect\u00e2nd evolu\u021bia artei na\u021bionale \u00een secolele XX\u2013XXI, prin analiza crea\u021biei unor arti\u0219ti sau a unor teme \u0219i subiecte reprezentative. Sunt abordate, de asemenea, motivele etnice tradi\u021bionale \u00een pictura Eleonorei Romanescu (Victoria Rocaciuc), simbolistica monumentului lui \u0218tefan cel Mare \u0219i Sf\u00e2nt din Chi\u0219in\u0103u (Ana Marian), precum \u0219i valorile universale \u0219i na\u021bionale ale operei eminesciene reflectate \u00een grafica din Republica Moldova (Vitalie Malcoci, Iuliana Gherman).<\/p>\n\n\n\n<p><strong>Sculptura<\/strong> este reprezentat\u0103 prin studiul \u201eImportan\u021ba implement\u0103rilor stilistice ale nudului \u00een crea\u021bia sculptorilor din Republica Moldova\u201d, semnat de Ana Marian, care aduce contribu\u021bii noi \u00een analiza reprezent\u0103rii nudului \u00een sculptura na\u021bional\u0103.<\/p>\n\n\n\n<p>Compartimentul <strong>Anivers\u0103ri<\/strong> include materiale dedicate unor arti\u0219ti jubiliari \u2013 Alexandru Pl\u0103m\u0103deal\u0103 (Ana Marian), Theodor Kiriacoff (Tudor Stavil\u0103) \u2013 precum \u0219i un amplu studiu consacrat anivers\u0103rii a 60 de ani de activitate a Departamentului Arhitectur\u0103 al Universit\u0103\u021bii Tehnice a Moldovei (\u201eIstorie, destin \u0219i valoare a \u0218colii de Arhitectur\u0103 din Republica Moldova\u201d, Angela Munteanu).<\/p>\n\n\n\n<p>\u00cen sec\u021biunea <strong>Noi apari\u021bii editoriale<\/strong> sunt prezentate monografii recente, precum <em>Cetatea Chilia. Aspecte istorico-arhitecturale<\/em> de Mariana \u0218lapac (recenzie: Matei Cazacu, Paris), <em>Arta preistoric\u0103 \u00een spa\u021biul rom\u00e2nesc<\/em> de Rodica Ursachi (recenzie: Vitalie Malcoci) \u0219i <em>Arta \u0219i activismul din Republica Moldova \u00een revista \u201eArta\u201d din Rom\u00e2nia<\/em> de Valeria Barbas.<\/p>\n\n\n\n<p>Revista include, \u00een mod tradi\u021bional, \u0219i compartimentul <strong>In Memoriam<\/strong>, dedicat crea\u021biei unor arti\u0219ti trecu\u021bi \u00een nefiin\u021b\u0103 \u2013 Dany-Madlen Z\u0103rnescu (Eleonora Brigalda) \u0219i Etti-Roza Spirer (Aurelia Trifan).<\/p>\n\n\n\n<p>Prin diversitatea tematic\u0103, rigoarea metodologic\u0103 \u0219i deschiderea interna\u021bional\u0103, acest num\u0103r al revistei <strong>\u201eARTA\u201d<\/strong> confirm\u0103 statutul publica\u021biei de platform\u0103 \u0219tiin\u021bific\u0103 de referin\u021b\u0103 \u00een cercetarea artelor vizuale \u0219i a arhitecturii.<\/p>\n\n\n\n<p><strong>Rodica Ursachi<\/strong>, doctor \u00een studiul artelor, conferen\u021biar universitar,<br>UPS \u201eIon Creang\u0103\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2026\/03\/viber_image_2026-03-02_07-57-34-225.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2026\/03\/viber_image_2026-03-02_07-57-34-225-724x1024.jpg\" alt=\"\" class=\"wp-image-8958\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2026\/03\/viber_image_2026-03-02_07-57-34-730.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2026\/03\/viber_image_2026-03-02_07-57-34-730-724x1024.jpg\" alt=\"\" class=\"wp-image-8960\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ich.md\/wp-content\/uploads\/2026\/03\/viber_image_2026-03-02_07-57-34-579.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/ich.md\/wp-content\/uploads\/2026\/03\/viber_image_2026-03-02_07-57-34-579-724x1024.jpg\" alt=\"\" class=\"wp-image-8961\"\/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Recent a v\u0103zut lumina tiparului un nou num\u0103r al prestigioasei reviste \u201eARTA\u201d, Seria Arte Vizuale, Arte Plastice, Arhitectur\u0103 (vol. XXXIV, nr. 1, 2025), structurat \u00een<span class=\"read-more-link\"><a class=\"read-more\" href=\"https:\/\/ich.md\/?p=8952\">Read More<\/a><\/span><\/p>\n","protected":false},"author":11,"featured_media":8960,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/8952"}],"collection":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8952"}],"version-history":[{"count":2,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/8952\/revisions"}],"predecessor-version":[{"id":8962,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/posts\/8952\/revisions\/8962"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=\/wp\/v2\/media\/8960"}],"wp:attachment":[{"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ich.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}